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The 12 Essential Questions – Overview

by Melanie Anne Phillips
creator StoryWeaver, co-creator Dramatica

There are 12 Essential Questions every author should know the answer to regarding his or her story. The next several tips will explore the meaning of and best way to answer Dramatica’s 12 Essential Questions. The questions are divided into three areas – Character, Plot, and Theme.

Character Questions:

1. Main Character Resolve – Change or Steadfast

2. Main Character Growth – Start or Stop

3. Main Character Approach – Do-er or Be-er

4. Main Character Mental Sex – Male of Female

Plot Questions:

5. Story Driver – Action or Decision

6. Story Limit – Timelock or Optionlock

7. Story Outcome – Success or Failure

8. Story Judgment – Good or Bad

Theme Questions:

9. Domain – four options: Universe, Physics, Mind, or Psychology

10. Concern – a choice of four depending upon choice of Domain

11. Range (Issue) – a choice of four depending upon choice of Concern

12. Problem – a choice of four depending upon choice of Range (Issue)

Why 12 questions? Imagine the structure of a story as the network of girders that form the structure of a skyscraper. Every place two or more girders connect to form an intersection is a key stress point in the structure. In stories, every place two or more dramatic forces converge is a key story point.

If you want to know something about the shape of the overall building, the four most important points are the four corners. Once those are determined, everything else falls within that perimeter.

Character, Plot, and Theme are like three different buildings in a story – three different kinds of structures. The best way to get a handle on the overall shape of each is to lock down the four corners.

By answering the 12 Essential Questions, you determine the basic shape of each of the three areas within which all other story point must fall, to which all other story points must conform. It is like determining the background or playing field against which all story elements must be played.

What about Genre? Genre is like a fourth building in the story. It provides the fourth corner in the complete structure. In fact, it determines how the other three buildings (Character, Plot, and Theme) will relate to one another.

Why aren’t there four more questions for Genre, making it 16 Essential Questions? Because Genre is not an actual structure like the other three areas, but is a description of how the other three relate to one another. It is more like a city in the sky.

Genre is determined by how you TELL the story, the other three describe the story that is to be told. As a result, Genre is dependent on the talent, inspiration, and mystical artistry of the author. That is why no computer will ever write a story as meaningful as a person can. In contrast, to think that stories are ALL art and nothing definitive and mechanical exists is to jump to the opposite extreme.

Until Dramatica, the art of storytelling was generally thought of as being inseparably intertwined with the substance of story structure. As a result, authors often created beautiful expressions of faulty structures.

By answering the 12 Essential Questions in Dramatica, authors can gain a sound understanding of the structural imperatives they have determined for their stories. Then, using that Storyform structure as a canvas and palette, they can draw their respective muses to express the intangible essence of the human heart in a meaningful and understandable form.

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Highlights from Dramaticapedia
Your Story Structure
Encyclopedia:

Books:

bulletDramatica Theory Book
bulletThe Lost Theory Book
bulletDramatica Dictionary

   Videos:

bulletDramatica Unplugged
bulletStoryWeaving Seminar
bulletDramatica Software Companion

   Audios:

bulletThe Dramatica Theory
bulletOrigins of the Dramatica Theory

   Collections:

bulletStory Development Tips
bulletCharacters
bulletPlot
bulletGenre & Theme
bulletNovel Writing & Screenwriting
bulletCreative Writing
bulletAuthor & Audience
bulletTwelve Essential Questions
bulletStoryforming Newsletter
bulletDramatica Software
bulletDramatica Theory
bulletDramatica Transcripts
bulletWhat Makes Dramatica Work?

   Topics:

bulletAuthor & Audience
bulletCommunication
bulletMessage
bulletPropaganda
bulletReception
bulletThe Story Argument
bulletVoice
bulletCharacters
bulletArchetypes
bulletBuilding Characters
bulletCharacter Dimensions
bulletCharacter Elements
bulletCharacter Growth
bulletCharacter Motivations
bulletComplex Characters
bulletHeroes & Villains
bulletMain Character
bulletObstacle Character
bulletProtagonist & Antagonist
bulletRelationships
bulletCreative Writing
bulletDramatica Software
bulletBrainstorming Features
bulletCharacter Features
bulletGeneral Features
bulletPlot Features
bulletStoryforming Tips
bulletThe Query System
bulletThe Story Engine
bulletTheme Features
bulletDramatica Theory
bulletStory Points
bulletConcepts
bulletUsing Dramatica Concepts
bulletStory Ideas
bulletExample Stories
bulletDefinitions
bulletDramatica Unchained
bulletDramatica's Origins
bulletThe Dramatica Chart
bulletGenre
bulletHow Dramatica Works
bulletNovel Writing
bulletPlot
bulletActs
bulletPlot Dynamics
bulletPlot Points
bulletScenes
bulletSignposts & Journeys
bulletPractical Tips
bulletQuick Tips
bulletScreenwriting
bulletStory Development
bulletAdaptations & Remakes
bulletWriting Synopses
bulletStory Physics
bulletStory Psychology
bulletStory Structure
bulletStorytelling
bulletStoryWeaver Software
bulletThe Story Mind
bulletTheme
bulletPremise
bulletThroughlines
bulletWelcome
bulletWriter's Block
bulletZen of Story Structure

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Copyright Melanie Anne Phillips - Owner, Storymind.com, Creator Storyweaver, Co-creator Dramatica